Jorge Ramos is a Portuguese multi-award-winning composer, sound artist and researcher. He has written solo, chamber, choral, symphony, mixed, electroacoustic, live-electronics, film, stage, installations, and advertisement music for festivals, orchestras, ensembles, and soloists across Asia, North America, Central America, South America, and Europe, while also collaborating with other artists and/or institutions on artistic contributions and computer music design.
Commissioners and partners for Dr. Ramos’ work extend beyond the concert hall to major international soloists and bodies such as Arte no Tempo, Banda Sinfónica Portuguesa, Braga Media Arts, Braga ’27, Calouste Gulbenkian Foundation, Casa da Animação, Cat’s Cradle Collective, Frederic Cardoso, gnration, Kotsanas Museum of Ancient Greek Technology, London Philharmonic Orchestra, ORA Singers, Orquestra Clássica do Centro, RE:FLUX ’16 Festival, Ricardo Pires, RTP/Antena 2, Sónia Oliveira, The Hermes Experiment, UNDERSCORE Film Festival.
He is the recipient of some prominent fellowships, grants, and prizes awarded by the Academia de Flauta de Verão, Aveiro City Hall, Braga City Hall, Lisbon City Hall, Caixa Geral de Depósitos, Calouste Gulbenkian Foundation, Escola Superior de Música de Lisboa, Festival Internacional de Órgão de Braga, Fernando Otero, Fundação da Juventude, Fundação Gestão dos Direitos dos Artistas, Fundação para a Ciência e a Tecnologia, Help Musicians, iMelody Music Club, Leões de Portugal, Miso Music Portugal, Orquestra Clássica do Centro, Banda Sinfónica Portuguesa, Royal College of Music London, Royal Music Association, RTP/Antena 2, Sociedade Portuguesa de Autores, Tomaribando, The ACTOR Project, The National Flute Association and Portuguese Republic — Ministry of Culture.
Jorge has had roles in various esteemed residencies, programs, mentorships, and composer schemes, including the ENOA Composers Residency (2017) with the Gulbenkian Orchestra and Conductor Nuno Coelho, the Jovens Compositores programme (2018-19) at Estúdios Victor Córdon under the guidance of Luís Tinoco and Victor Hugo Pontes, and Compota 2019 by Sentidos Ilimitados, mentored by Paula Pinto at Biblioteca de Marvila. More recently, he joined the London Philharmonic Orchestra's Young Composers Programme (2024/25), mentored by Pulitzer Prize-winning composer and conductor Tania León, and participated in the ORA Singers Graduate Composers Showcase (2024) under Suzi Digby OBE. He also took part in the TalentLAB '24 program at Les Théâtres de la Ville de Luxembourg, mentored by Alexandra Lacroix, and was a mentee in the ACTOR Mentorship Program (2021–2023), working with renowned mentors such as Ichiro Fujinaga and Pulitzer Prize winner Roger Reynolds.
Jorge is drawn to multidisciplinary and interdisciplinary collaborations, exploring dialogue between sound, research, multiple art forms, and technology, grounded in an interest in perception and psychoacoustics. His current musical approach explores the intersection of technology and orchestration/timbral blend, with a focus on intuitive electronic-informed orchestration, instrumental synthesis, computer-assisted orchestration, machine learning, and artificial intelligence. More recently, his work embraces an interdisciplinary hybrid aesthetic that juxtaposes these advanced methods with vintage textures, noir atmospheres, and artistic influences drawn from both past and present. Deeply inspired by the eclectic energy of SOHO-like environments, he finds creative fuel in the collision of eras and the sensory overstimulation of urban life — a curated chaos that mirrors the hybridity of his sonic language. Dr. Ramos aims to push the boundaries of sonic experience and craft new immersive, multi-sensory auditory environments.
Recent critical response to his work has been enthusiastic. Writing on SOHO, premiered by the London Philharmonic Orchestra, Antonia Constantin described it as “★★★★★ … a dazzling portrait of urban memory” and “one of the most original and electrifying musical experiences I’ve had all year.” She further noted that SOHO “doesn’t simply describe Soho — it becomes it,” praising its ability to “challenge how we listen, while making us feel something immediate and human.” — Antonia Constantin, A Young(ish) Perspective
Jorge Ramos holds degrees from Conservatório de Música Calouste Gulbenkian de Braga, Escola Superior de Música de Lisboa, and a Doctorate in Music Composition granted by the prestigious Royal College of Music London. Alongside his artistic practice, he maintains research affiliations with CESEM — Centro de Estudos em Música (PT) and TONE — Timbre and Orchestration Network (CAN). He is also a 2026 Trainee Trustee at Spitalfields Music (UK), reflecting a growing involvement in artistic leadership, cultural management, entrepreneurship, and governance.
His current projects include An Aria for the Mallard, a collaborative installation with visual artist Rosana Antolí and soprano Claire Rocha Santos, supported by the Calouste Gulbenkian Foundation for the new garden at CAM – Centre for Modern Art. Presented from July 2025 to January 2027, the work was selected as a finalist for PRIX RUSSOLO 2026. He is also the sound artist of Music for a Greek Museum, a permanent sound installation at the Kotsanas Museum of Ancient Greek Technology, commissioned as part of the EUROMUSE project (2025–2026).
Recently, he was selected for the 4th Artistic Residency in Technological and Multimedia Arts, promoted by the Lisbon City Council. Developed in the Bairro do Rego, Lisbon, the project explores the city's urban soundscape through the analytical and compositional principles of computer-assisted orchestration. Drawing on systematic field recordings and ORCHIDEA, an advanced computer-assisted orchestration tool, the work investigates how urban environments might be understood and reimagined as acoustic compositions. The residency runs from September to December 2026, culminating in a public presentation at Avenidas – Um Teatro em Cada Bairro in the first quarter of 2027.
© PRS/MCPS/SPA/GDA
Photograph by © Filipe Abreu
