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Solo
Chamber
Mixed Chamber
Choir
Band
Orchestral
Mixed Orchestral
Electronics
Live-Electronics
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Stage
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Advertisement
Computer Design and Artistic Contributions
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Music Merge
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Merge

€12.00

Premiere

19/05/2016 - Semana da Composição 2016 - Auditório Vianna da Motta - Escola Superior de Música de Lisboa (PT) - Sónia Oliveira (Voice) and João Vargas (Double Bass)

Awards

10th Prize at the 2017 iMelody International Composition Contest by iMelody Music Club (Dallas, USA)

Commission

Commissioned by Sónia Oliveira

Releases

2018 – Sónia Oliveira– Paz [CD] • Track 9 – Merge

2018 – Sónia Oliveira– Merge [CD] • Track 1 – Merge

Programme notes

The idea proposed was an attempt to connect/unite (merge) the classical-erudite world with the jazz world using the proposed instruments. Thus, I tried to study the characteristics of jazz (since it was the area I had studied less) and then relate them to classical-erudite techniques. An example of this is the supposed walking bass (usually associated with jazz) that appears in the course of the piece while progressively transforming.

Written in 2015 as part of my Undergraduate Degree in Music — Composition at the Escola Superior de Música de Lisboa (PT).

© PRS/MCPS/SPA ISWC T-045.679.938-4

Are you performing this work? Submit your performance details to be featured in the upcoming events!

Scroll down for recording ↓

Buy

Premiere

19/05/2016 - Semana da Composição 2016 - Auditório Vianna da Motta - Escola Superior de Música de Lisboa (PT) - Sónia Oliveira (Voice) and João Vargas (Double Bass)

Awards

10th Prize at the 2017 iMelody International Composition Contest by iMelody Music Club (Dallas, USA)

Commission

Commissioned by Sónia Oliveira

Releases

2018 – Sónia Oliveira– Paz [CD] • Track 9 – Merge

2018 – Sónia Oliveira– Merge [CD] • Track 1 – Merge

Programme notes

The idea proposed was an attempt to connect/unite (merge) the classical-erudite world with the jazz world using the proposed instruments. Thus, I tried to study the characteristics of jazz (since it was the area I had studied less) and then relate them to classical-erudite techniques. An example of this is the supposed walking bass (usually associated with jazz) that appears in the course of the piece while progressively transforming.

Written in 2015 as part of my Undergraduate Degree in Music — Composition at the Escola Superior de Música de Lisboa (PT).

© PRS/MCPS/SPA ISWC T-045.679.938-4

Are you performing this work? Submit your performance details to be featured in the upcoming events!

Scroll down for recording ↓

Premiere

19/05/2016 - Semana da Composição 2016 - Auditório Vianna da Motta - Escola Superior de Música de Lisboa (PT) - Sónia Oliveira (Voice) and João Vargas (Double Bass)

Awards

10th Prize at the 2017 iMelody International Composition Contest by iMelody Music Club (Dallas, USA)

Commission

Commissioned by Sónia Oliveira

Releases

2018 – Sónia Oliveira– Paz [CD] • Track 9 – Merge

2018 – Sónia Oliveira– Merge [CD] • Track 1 – Merge

Programme notes

The idea proposed was an attempt to connect/unite (merge) the classical-erudite world with the jazz world using the proposed instruments. Thus, I tried to study the characteristics of jazz (since it was the area I had studied less) and then relate them to classical-erudite techniques. An example of this is the supposed walking bass (usually associated with jazz) that appears in the course of the piece while progressively transforming.

Written in 2015 as part of my Undergraduate Degree in Music — Composition at the Escola Superior de Música de Lisboa (PT).

© PRS/MCPS/SPA ISWC T-045.679.938-4

Are you performing this work? Submit your performance details to be featured in the upcoming events!

Scroll down for recording ↓

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