Momentum
Premiere
3/06/2016 - Sons Ibéricos - Auditório Vianna da Motta - Escola Superior de Música de Lisboa (PT) - Orquestra de Sopros da ESML and Conductor Alberto Roque
Programme notes
I wrote this piece as an artistic challenge by adopting a given set of pre-defined rules, such as fixed instrumentation; duration of the work, and a strict deadline for completion. Drawing upon the idea of 'instant creativity' I began to write what I wanted to hear at any moment. This meant that I embarked on this work without any pre-defined basic chords; structure; form or pitches in mind. My approach was to orchestrate the sound that I was idealizing in real time.
Written between 2014/2015 as part of my Undergraduate Degree in Music — Composition at the Escola Superior de Música de Lisboa (PT).
© PRS/MCPS/SPA ISWC T-045.680.759-2
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Premiere
3/06/2016 - Sons Ibéricos - Auditório Vianna da Motta - Escola Superior de Música de Lisboa (PT) - Orquestra de Sopros da ESML and Conductor Alberto Roque
Programme notes
I wrote this piece as an artistic challenge by adopting a given set of pre-defined rules, such as fixed instrumentation; duration of the work, and a strict deadline for completion. Drawing upon the idea of 'instant creativity' I began to write what I wanted to hear at any moment. This meant that I embarked on this work without any pre-defined basic chords; structure; form or pitches in mind. My approach was to orchestrate the sound that I was idealizing in real time.
Written between 2014/2015 as part of my Undergraduate Degree in Music — Composition at the Escola Superior de Música de Lisboa (PT).
© PRS/MCPS/SPA ISWC T-045.680.759-2
Are you performing this work? Submit your performance details to be featured in the upcoming events!
Scroll down for recording ↓
Premiere
3/06/2016 - Sons Ibéricos - Auditório Vianna da Motta - Escola Superior de Música de Lisboa (PT) - Orquestra de Sopros da ESML and Conductor Alberto Roque
Programme notes
I wrote this piece as an artistic challenge by adopting a given set of pre-defined rules, such as fixed instrumentation; duration of the work, and a strict deadline for completion. Drawing upon the idea of 'instant creativity' I began to write what I wanted to hear at any moment. This meant that I embarked on this work without any pre-defined basic chords; structure; form or pitches in mind. My approach was to orchestrate the sound that I was idealizing in real time.
Written between 2014/2015 as part of my Undergraduate Degree in Music — Composition at the Escola Superior de Música de Lisboa (PT).
© PRS/MCPS/SPA ISWC T-045.680.759-2
Are you performing this work? Submit your performance details to be featured in the upcoming events!
Scroll down for recording ↓
