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Image 1 of 1
Image 1 of 1
Image 1 of 1
October, 2025 @ Kotsanas Museum of Ancient Greek Technology (GR)
Commissioned by Kotsanas Museum of Ancient Greek Technology (GR)
Created within the EUROMUSE project using the SYNOMUSIC methodology developed by the Center for Applied Music (CAM) (SRB)
Center for Applied Music (CAM) (SRB)
An entrance piece functions as a threshold — a brief sonic recalibration that prepares visitors for what lies ahead. Music for a Greek Museum draws on my time at the Kotsanas Museum of Ancient Greek Technology, translating encounters with its ingenious mechanisms and resonant spaces into a cohesive sound environment.
Electronic and acoustic elements are interwoven to blur temporal boundaries, allowing ancient technologies, contemporary listening, and speculative futures to coexist. Conceived as a permanent sound installation for the museum entrance, the work offers an immersive prelude in which the exhibitions begin to speak before they are seen.
Written in 2025 as part of the EUROMUSE Project using the SYNOMUSIC methodology developed by the Center for Applied Music (CAM) (SRB)
© PRS/MCPS/SPA ISWC (pending)
Are you performing this work? Submit your performance details to be featured in the upcoming events!
Scroll down for recording ↓
October, 2025 @ Kotsanas Museum of Ancient Greek Technology (GR)
Commissioned by Kotsanas Museum of Ancient Greek Technology (GR)
Created within the EUROMUSE project using the SYNOMUSIC methodology developed by the Center for Applied Music (CAM) (SRB)
Center for Applied Music (CAM) (SRB)
An entrance piece functions as a threshold — a brief sonic recalibration that prepares visitors for what lies ahead. Music for a Greek Museum draws on my time at the Kotsanas Museum of Ancient Greek Technology, translating encounters with its ingenious mechanisms and resonant spaces into a cohesive sound environment.
Electronic and acoustic elements are interwoven to blur temporal boundaries, allowing ancient technologies, contemporary listening, and speculative futures to coexist. Conceived as a permanent sound installation for the museum entrance, the work offers an immersive prelude in which the exhibitions begin to speak before they are seen.
Written in 2025 as part of the EUROMUSE Project using the SYNOMUSIC methodology developed by the Center for Applied Music (CAM) (SRB)
© PRS/MCPS/SPA ISWC (pending)
Are you performing this work? Submit your performance details to be featured in the upcoming events!
Scroll down for recording ↓
